WHO AM I SUPPOSED TO LOVE Written by Sarah Nagourney, Bobby Blazier and Chris Rodriguez 2 beats per chord ` = 2 beats syncopated changes on 2+ and 4+ INTRO: (verse figure without 1st-string) G lick Ebmaj7 Ao
G lick Ebmaj9 Ao VERSE: G lick Ebmaj9 F7 I've been a-lone too G lick Ebmaj9 F7 Long wondering how to go Em7 lick Cm6/Eb ` On without you here by my G/D lick Em/C# ` Side so many lonely nights only Cmaj7 C6 D6 D7 Mem'- ries keeping me a- VERSE: (G-pedal first 4 bars) G lick Ebmaj9 F7 live it never crossed my G lick Ebmaj9 F7 Mind so much would take me to you and Em7 lick Cm6/Eb ` I I could have known you wouldn't G/D lick Em/C# ` Stay now it's a lonely day it used to be Cmaj7 C6 D6 Ebo7 Your love lifting me a- CHORUS: Em ` Em(9)/D# ` way I can't go on now that you're G/D ` A9/C# ` Gone I feel this empti- ness if it's Cmaj7 C6 D6 D7 Not you I'm thinking of if it's Cmaj7/E Am/E D7/F# ` Not you who am I sup- posed to RE-INTRO: (G-pedal) G lick Ebmaj9 F7 Love VERSE: (G-pedal first 4 bars) G lick Ebmaj9 F7 Nobody stands in your G lick Ebmaj9 F7 Place I can't see a-no-____ ther's Em7 lick Cm6/Eb ` Face only a trace of what I G/D lick Em/C# ` Knew only a shadow I can't Cmaj7 C6 D6 Ebo7 Pic- ture any-one but CHORUS: Em ` Em(9)/D# ` You I can't go on now that you're G/D ` A9/C# ` Gone I feel this empti- ness if it's Cmaj7 C6 D6 D7 Not you I'm thinking of if it's Cmaj7/E Am/E D7/F# ` Not you who am I sup- posed to BRIDGE: Gadd2/B ` C6/9 ` Love I should have known something so Dsus4 ` Em Gadd2/D Strong couldn't go on and last for- Em/C# ` Em/C# ` eh-____eh-ver__ if it's Cmaj7 C6 D6 D7 Not you who am I sup-posed to VERSE-LONG: (G-pedal first 4 bars) G lick Ebmaj9 F7 Love G lick Ebmaj9 F7 (instrumental) Em7 lick Cm6/Eb ` Now just a trace of what I G/D lick Em/C# ` Em/C# ` Knew only a shadow oh-oh-ow I can't Cmaj7 C6 D6 Ebo7 Pic- ture any-one but CHORUS-LONG: Em ` Em(9)/D# ` You I can't go on now that you're G/D ` A9/C# ` Gone I feel this empti- ness if it's Cmaj7 C6 D6 D7 Not you I'm thinking of if it's Cmaj7/E Am/E D7/F# ` D7/F# ` Not you who am I sup- po-_______sed to OUTRO: (G-pedal) G lick Ebmaj9 F7 Love G lick Ebmaj9 F7 G (ritard) ================================================================================ CHORDS: G Ebmaj9 F/Eb Em7 Cm6/Eb G/D Em/C# Cmaj7 C6 D6 D7 Ebo7 Em E|--3----1------1-----0-----3------3-----0------0----0---2---2----2----0--| B|--0----3------1-----0-----1------0-----0------0----1---0---1----1----0--| G|--0----3------2-----0-----2------0-----0------0----2---2---2----2----0--| D|--0----1------1-----0-----1------0---------------------0---0----1----2--| A|--------------------2------------------4------3----3--------------------| E|--3-----------------0---------------------------------------------------| Em(9)/D# A9/C# Cmaj7/E Am/E D7/F# Gadd2/B C6/9 Dsus4 Gadd2/D E|-----2--------5-------0------0------2-------3-------3-----3-------3---| B|-----0--------0-------0------1------1-------3-------3-----3-------0---| G|-----0--------0-------0------2------2-------2-------2-----2-------2---| D|-----1----------------2------2------0-------0-------2-----0-------0---| A|--------------4-------3------0--------------2-------3-----------------| E|----------------------0------0------2---------------------------------| LICK: Simple scalar lick links to various chords on 4+ 3 + 4 + E|---------| B|-0-1-3---| <- middle-finger G|-0-2-4---| <- ring-finger D|---------| A|---------| E|---------| Basic rhythm technique: 1 pluck the 1st 2nd 3rd-strings and a bass note with the thumb and fingers + brush the 1st and 2nd-strings with an upstroke 2 mute all the strings with a slap + new chord (syncopated) VERSE-FIGURE: G Ebmaj9 F7 G 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + E|-----------------|---1-------1-----|--- <- 1st-string omitted in INTRO B|-0===x---0-1-3-3=|=====x-1=====x-0=|=== G|-0===x---0-2-4-3=|=====x-2=====x-0=|=== === = sustained note D|-0===x-0-------1=|=====x-1=====x-0=|=== x = muted slap A|-----------------|-----------------|--- E|-3===x-3---------|---------------3=|=== Bass guitar (after first verse) plays a G-pedal thus: G Ebmaj9/G F7/G CHORUS: Rising line over a minor-descending progression (same as Waterloo Sunset, Stairway To Heaven etc) Em-chord with bass descending E-D#-D-C# and pad rising E-F#-G-A Suggested fingerings necessarily omit the E-note in Bar-3 and 4 BRIDGE: Names reflect the ensemble sound of D G and A notes in each chord Gadd2/B C6/9 Dsus4 Gadd2/D