Capo 4th fret [Intro] D Em A7 D [Chorus] N.C. Em I got one more heartache in me A7 One more not so happy ending D One more love me just to leave me D One more done from the beginning Em A7 Take me home tonight, and do me right then do me wrong Em I got one more heartache in me A7 D Well, baby, bring it on [Verse 1] D Em Well, I knew just as sure as I walked in here what would happen A7 D I'd see you and you'd see me, then we'd be back in action [Pre-Chorus] Em A7 And here we go again [Chorus] N.C. Em7 I got one more heartache in me A7 One more not so happy ending D One more love me just to leave me D One more done from the beginning Em A7 Take me home tonight, and do me right then do me wrong Em7 I got one more heartache in me A7 D Well, baby, bring it on [Fiddle & Pedal Steel Solos] D Em A7 D [Verse 2] D Em Oh, it ain't nothin' new, girl, no, this happens all the time A7 D Neon and tequila leads to stayin' up all night [Pre-Chorus] Em Bm Em Bm A Em And here we go again A Em A Mm, all of this trouble we get in [Chorus] N.C. Em7 I got one more heartache in me A7 One more not so happy ending D One more love me just to leave me D One more done from the beginning Em A7 Take me home tonight, and do me right then do me wrong Em7 I got one more heartache in me A7 D Well, baby, bring it on [Fiddle Solo] D Em A7 D [Pedal Steel Solo] Em A7 Em A [Bridge] Bm If I wasn't sad and lonely E7 I don't know what I'd do Em Oh, but lookin' in your eyes, girl A I don't mind being blue [Chorus] N.C. Em7 I got one more heartache in me A7 One more not so happy ending D One more love me just to leave me D One more done from the beginning Em A7 Take me home tonight, and do me right then do me wrong Em7 I got one more heartache in me A7 D Well, baby, bring it on [Outro] D Em A7 D How to play "One More Heartache" by Ernest on guitar This song also uses a capo on the 4th fret, transposing it to a higher pitch while playing in the key of D major. The chord sequence is straightforward, focusing on D, Em, A7, with some additional variations. Chords used: D, Em, A7, Em7, Bm, E7 Playing Style: - The intro, verses, and solos should be played with a light strumming or a picking pattern that emphasizes the melody line. This adds a tender feel to the song’s introspective lyrics. - In the chorus, increase the intensity of your strumming. This part of the song does not include a chord initially (notated as N.C.), allowing the vocal line to stand out before the instrumentation kicks back in. Common Mistakes: - Failing to transition smoothly between Em and A7. Practice this change slowly to ensure clean sounding chords. - Overstrumming in softer sections can overpower the vocals. Keep the strumming dynamic and responsive to the song's emotional tone. Transitions: - The bridge introduces a Bm and an E7, providing a shift in the song’s harmonic structure. Pay attention to these chords as they bring a different color to the sound, reflecting the lyrical sentiment. Lyrics meaning: The song reflects a sense of resigned acceptance of repeated heartbreak, with the protagonist almost inviting another disappointment as a familiar pattern in their love life. The lyrics express a melancholy yet somewhat cynical take on romance, using the music to heighten the emotional narrative. Remember: - Adjust your guitar tone to match the style of the song, aiming for a clean sound with a bit of reverb to enhance the strumming and picking patterns. - Emotional delivery is key. Sync your playing with the lyrical themes to make your performance resonate more with the audience.