[Intro]
| D | A | F#m | E | 2x
[Verse 1]
D A
I been through it all, yeah, so I thought
F#m E
The highs and the lows, love takes you home
D A
I've seen all the shows, heard all the songs
F#m E
’Bout what it's like when it comes along
[Pre-Chorus]
D A F#m E
But I had never seen it, no
D A F#m E
Guess I stopped believing
[Chorus]
D A
Until I found a love like that
F#m E
The kind where you don't look back
D A
’Cause you're too busy thanking God for what you have
F#m E
Adding more bricks 'til you're built to last
D A
Smile bright as the California sun
F#m E
Get you high, only thing you want
D A
Is to hold her in your arms 'til the stars go black
F#m E D
You ain't been in love, 'til you've been in love like that
[Verse 2]
D A
Yeah, the green in her eyеs, gold on her skin
F#m E
Tito’s and lime, taste on hеr lips
D A
Was the closest to heaven I’d ever been
F#m E
All of my doubts, they were gone right then
[Chorus]
D A
When I found a love like that
F#m E
The kind where you don't look back
D A
’Cause you're too busy thanking God for what you have
F#m E
Adding more bricks 'til you're built to last
D A
Smile bright as the California sun
F#m E
Get you high, only thing you want
D A
Is to hold her in your arms 'til the stars go black
F#m E D A F#m
You ain't been in love, 'til you've been in love like that
[Post-Chorus]
E D A F#m E
Until you've been in love like that
[Bridge]
D A F#m E
I'd been praying, wishing
D A F#m E
Turns out God was listening
[Chorus]
D A
'Cause I found a love like that
F#m E
The kind where you don't look back
D A
’Cause you're too busy thanking God for what you have
F#m E
Adding more bricks 'til you're built to last
D A
Smile bright as the California sun
F#m E
Get you high, only thing you want
D A
Is to hold her in your arms 'til the stars go black
F#m E D A F#m
You ain't been in love, 'til you've been in love like that
E D A F#m E
'Til you been in love like that
How to play "You Ain't Been In Love" by Nate Smith on guitar
[Intro]
- Chords: D, A, F#m, E (repeat 2x)
- Strumming: Use a steady down-up pattern.
- Transition: Ensure smooth changes between chords.
[Verse 1]
- Chords: D, A, F#m, E
- Strumming: Use a relaxed down-up pattern, focusing on downstrokes.
- Dynamics: Play softly to complement the reflective lyrics.
- Transition: Practice clean changes between D, A, F#m, and E.
[Pre-Chorus]
- Chords: D, A, F#m, E
- Strumming: Increase intensity slightly with a steady down-up pattern.
- Dynamics: Build up to prepare for the chorus.
- Transition: Ensure smooth changes between chords.
[Chorus]
- Chords: D, A, F#m, E
- Strumming: Maintain a steady down-up pattern with increased intensity.
- Rhythm: Emphasize the first beat of each measure to give the chorus more impact.
- Dynamics: Play louder than the verse to highlight the chorus.
[Verse 2]
- Chords: D, A, F#m, E
- Strumming: Return to a softer down-up pattern, similar to the first verse.
- Feel: Maintain the same dynamics, focusing on the lyrical delivery.
- Transition: Ensure clean chord changes to keep the verse fluid.
[Chorus]
- Chords: D, A, F#m, E
- Strumming: Maintain a steady down-up pattern with increased intensity.
- Dynamics: Play louder than the verse to make the chorus impactful.
- Emphasis: Highlight the first beat of each measure.
[Post-Chorus]
- Chords: D, A, F#m, E
- Strumming: Gradually soften your strumming.
- Dynamics: Use this section to create a sense of reflection.
[Bridge]
- Chords: D, A, F#m, E
- Strumming: Gradually build up the intensity.
- Dynamics: Use this section to create a sense of anticipation for the final chorus.
[Chorus]
- Chords: D, A, F#m, E
- Strumming: Maintain the steady down-up pattern with increased intensity.
- Dynamics: Play louder than the verse to make the chorus impactful.
- Emphasis: Highlight the first beat of each measure.
[Outro]
- Chords: D, A, F#m, E
- Strumming: Gradually soften your strumming as the song concludes.
- Dynamics: End gently, mirroring the song's intro.
[Common Mistakes]
- Switching between D and A: Practice the finger positioning for smooth transitions.
- Strumming consistency: Focus on keeping a steady rhythm, especially during dynamic changes.
- Overplaying: Ensure the vocals remain the focal point by not overpowering them with the guitar.
[Song Facts]
"You Ain't Been In Love" by Nate Smith is a song about experiencing a
deep, transformative love that changes one's perspective on life. The
lyrics reflect the joy and gratitude felt when finding a love that
surpasses all previous experiences. The song captures the essence of
finding a soulmate and the profound impact it has on one's life.
[Artist Biography]
Nate Smith is a rising country music artist known for his heartfelt lyrics
and soulful voice. With roots in California, Smith's music blends
traditional country with modern influences, creating a unique sound that
resonates with a wide audience. His authentic storytelling and emotional
performances have quickly garnered a dedicated fanbase.