[Intro]
D E D E
E ------------------------|------------|
B ---5-3-2--0-0-0-2-0-----|---5-3-2--0-|
G --------------------1---|------------|
D -0--------------------2-|-0----------|
A ------------------------|------------|
E ------------------------|------------|
D E D E
E ------------------------|------------------------|
B ---5-3-2--0-0-0-2-0-----|---5-3-2--0-0-0-2-0-----|
G --------------------1---|--------------------1---|
D -0--------------------2-|-0--------------------2-|
A ------------------------|------------------------|
E ------------------------|------------------------|
[Verse]
D E
He's got a Chevrolet that don't always run
D E
And the radio never turns down
D E
He's got a pedigree that's no good for nothing
D E
No commas in his bank account
D E
But there's a girl at the hole in the wall
D E
Where he plays, don't take her eyes off the stage
[Chorus]
D E
She loves his southern drawl from north of Atlanta
D E
That Silverado he got parked outside
D E
Loves a cranking '89 Alabama
D E
Kissing for an hour in the parking lot light
D E
Here's to good girls that can't keep from falling
D E
For bad boys that their daddies don't like
D E
Small towns that keep staying small
D E D
Here's to old trucks, young love, and Saturday nights
E
Na, na, na, na, na, na, na, na, na
D
Saturday nights
E
Na, na, na, na, na, na, na, na, na
[Verse]
D E
There's always pawn shops, sell beat up guitars
D E
To a kid with some hand me down keys
D
There's always leather jackets
E D E
Keep stealing hearts like Elvis and Cash and James Dean
D E
There'll be a girl at the hole in the wall
D E
Where he plays, don't take her eyes off the stage
[Chorus]
D E
She loves his southern drawl from north of Atlanta
D E
That Silverado he got parked outside
D E
Loves a cranking '89 Alabama
D E
Kissing for an hour in the parking lot light
D E
Here's to good girls that can't keep from falling
D E
For bad boys that their daddies don't like
D E
Small towns that keep staying small
D E D E
Here's to old trucks, young love, and Saturday nights
D E
Saturday nights
[Break]
D E D
Tank of gas, some blue eyes, and some beer in the back
E
Falling way too fast
[Chorus]
D E
For a southern drawl from north of Atlanta
D E
That Silverado he got parked outside
D E
Loves a cranking '89 Alabama
D E
Kissing for an hour in the parking lot light
D E A
Here's to good girls that can't keep from falling
D E
For bad boys that their daddies don't like
D E
Small towns that keep staying small
D E D
Here's to old trucks, young love, and Saturday nights
[Outro]
E A
Na, na, na, na, na, na, na, na, na
D
Saturday nights
E
Na, na, na, na, na, na, na, na, na
D
Yeah, Saturday nights
E
Na, na, na, na, na, na, na, na, na
D
Young love and Saturdaaaay nights
E
Na, na, na, na, na, na, na, na, na
How to play "Young Love & Saturday Nights" by Chris Young on guitar is a spirited journey
through the joys and nostalgia of youthful romance and weekend escapades. This guitar
Tutorial focuses on the lively chord progressions and distinctive intro riff that give
this song its signature sound, embodying the essence of carefree love and timeless
adventures.
Intro Riff:
The song kicks off with a catchy riff that lays the foundation for the nostalgic
atmosphere of the track. The intro alternates between D and E chords, but what makes it
stand out is the melodic line played on the B and G strings, creating a memorable hook
that instantly draws listeners in. Pay close attention to the tablature for the correct
fingering and timing to capture the playful spirit of the intro.
Verse and Chorus Chords:
Following the intro, the verses maintain the D to E chord progression, a simple yet
effective structure that supports the storytelling aspect of the lyrics. The verses
paint vivid scenes of a young couple's life, emphasizing the value of simple pleasures
over material wealth.
As you move into the chorus, the same chord progression continues, underscoring the
song's themes of young love and the joy of Saturday nights. The repetition of the D and
E chords throughout the song provides a solid rhythmic foundation, allowing the lyrics
to shine and convey the message clearly.
When playing the verses and chorus, focus on a strumming pattern that matches the
upbeat and energetic mood of the song. A steady down-up strumming pattern can effectively
keep the momentum going, bringing the story to life.
Break and Outro:
The break introduces a moment of reflection within the song, with lyrics that emphasize
the emotional depth of the couple's connection. The chord progression remains consistent,
but the dynamic can be slightly toned down to match the introspective nature of this
section.
The song concludes with the outro, revisiting the na-na-na vocal hook over the D and E
chords, ending on a high note that celebrates the enduring charm of young love and
Saturday nights. This section is an opportunity to bring all the energy and emotion of
the song to a climactic close, ensuring the listener is left with a lasting impression
of the joy and nostalgia encapsulated in the track.
Guitar Lesson Summary:
"Young Love & Saturday Nights" is a testament to the enduring themes of love, youth,
and the magic of weekend nights. Through mastering the chord progressions and the
distinctive intro riff, you can capture the essence of this anthem to young romance.
Remember, the key to performing this song convincingly is to embrace the energy and
emotion behind the lyrics, letting them guide your strumming and playing style. Let
the chords and melodies take you back to those unforgettable moments of young love and
Saturday nights.