Capo 4th fret
[Intro]
C G/B Am7 F
C G/B Am7 F
[Verse 1]
C
I'm two months deep in therapy
G/B
Been finally gettin' sleep
Am7
My friends quit checkin' up on me
F
'Cause I'm back on my feet
C
I'm doin' more than gettin' by
G/B
I've been seeing a stand-up guy
Am7
It's the middle of the night
F
And my phone starts ringin', and
[Chorus]
C G/B Am7
Here you come again, and there you go
F
No coincidence, you always know
C G/B Am7
When I'm movin' on, you move back in
F
With a half-ass, "Sorry, how you been?"
C G/B Am7 F
Why do you do it? Do you just hate losin'?
C G/B Am7
Here you come again, who could it be
F C G/B Am7 F
It's 3 a.m., no caller ID
[Verse 2]
C
I don't need to see your name
G/B
Who else would drunk-call me this late?
Am7
Surprise, surprise, you haven't changed
F
I'm sure, you're sure I'll pick up
C G/B
And I shouldn't want to, but I do
Am7 F C
You know me too well, damn you
G/B Am7 F
Why do I want to? I shouldn't want to
[Chorus]
C G/B Am7
Here you come again, and there you go
F
No coincidence, you always know
C G/B Am7
When I'm movin' on, you move back in
F
With a half-ass, "Sorry, how you been?"
C G/B Am7 F
Why do you do it? Do you just hate losin'?
C G/B Am7
Here you come again, who could it be
F C
It's 3 a.m., no caller ID
[Guitar Solo]
G/B Am7 F C G/B Am7 F
[Bridge]
C G/B
Don't you get tired of hurtin' me?
Am7 F
I'm tired of hurtin' me
C G/B
I'm tired of hurtin' me
Am7 F
So I let it ring, I let it ring
[Chorus]
C G/B Am7
Here you come again, and there you go
F
No coincidence, you always know
C G/B Am7
When I'm movin' on, you move back in
F
Keep your half-ass, "Sorry, how you been?"
C G/B Am7 F
I know why you do it, you just hate losin'
C G/B Am
Here you come again, who could it be?
F C G/B
It's just you, no caller ID
[Outro]
Am F C G/B
It's just you, no caller ID
Am F N.C.
It's just you, no caller ID
How to play "No Caller ID" on guitar
[Capo Placement]
- Place a capo on the 4th fret to match the original song's key.
This will allow you to use open chord shapes effectively.
[Intro & Verse Strumming]
- Use a gentle strumming pattern, primarily focusing on down
strokes for a mellow sound.
- Transition between C, G/B, Am7, and F smoothly to keep the
melodic flow.
[Chorus Dynamics]
- Build intensity slightly in the chorus to reflect the
emotional spike in the lyrics.
- Pay special attention to the transitions between chords,
maintaining the rhythm and emotional tone.
[Guitar Solo]
- The solo follows the same chord progression as the verses.
Keep the strumming light and let the melody shine through.
[Bridge Emphasis]
- The bridge features more emotional lyrics. Strum softly to
give space to the vocal melody and lyrics.
- Emphasize the lyrics with slight pauses or softer strums on
the F chord, highlighting the reflective mood.
[Outro Technique]
- Return to the softer dynamics of the intro for a cohesive
feel. End on a quiet note to mirror the song's closing
sentiment.
Common mistakes:
- Overstrumming in emotional sections. Keep it controlled to
let the lyrics stand out.
- Forgetting the capo changes the chord positions. Always
remember to adjust for the capo.
Song Facts and Artist Bio:
"No Caller ID" by Megan Moroney explores themes of recurring
emotional entanglement and the struggle to move past a
persistent ex. The song uses the metaphor of late-night calls
to depict unresolved feelings and the desire for closure.
Megan Moroney, a noted figure in contemporary country music,
brings personal stories to life with her distinct vocal style
and introspective songwriting. Her work often delves into
complex emotional landscapes, making her music deeply relatable
to those experiencing similar life challenges.
Capo 4th fret
[Intro]
C G/B Am7 F
C G/B Am7 F
[Verse 1]
C
I'm two months deep in therapy
G/B
Been finally gettin' sleep
Am7
My friends quit checkin' up on me
F
'Cause I'm back on my feet
C
I'm doin' more than gettin' by
G/B
I've been seeing a stand-up guy
Am7
It's the middle of the night
F
And my phone starts ringin', and
[Chorus]
C G/B Am7
Here you come again, and there you go
F
No coincidence, you always know
C G/B Am7
When I'm movin' on, you move back in
F
With a half-ass, "Sorry, how you been?"
C G/B Am7 F
Why do you do it? Do you just hate losin'?
C G/B Am7
Here you come again, who could it be
F C G/B Am7 F
It's 3 a.m., no caller ID
[Verse 2]
C
I don't need to see your name
G/B
Who else would drunk-call me this late?
Am7
Surprise, surprise, you haven't changed
F
I'm sure, you're sure I'll pick up
C G/B
And I shouldn't want to, but I do
Am7 F C
You know me too well, damn you
G/B Am7 F
Why do I want to? I shouldn't want to
[Chorus]
C G/B Am7
Here you come again, and there you go
F
No coincidence, you always know
C G/B Am7
When I'm movin' on, you move back in
F
With a half-ass, "Sorry, how you been?"
C G/B Am7 F
Why do you do it? Do you just hate losin'?
C G/B Am7
Here you come again, who could it be
F C
It's 3 a.m., no caller ID
[Guitar Solo]
G/B Am7 F C G/B Am7 F
[Bridge]
C G/B
Don't you get tired of hurtin' me?
Am7 F
I'm tired of hurtin' me
C G/B
I'm tired of hurtin' me
Am7 F
So I let it ring, I let it ring
[Chorus]
C G/B Am7
Here you come again, and there you go
F
No coincidence, you always know
C G/B Am7
When I'm movin' on, you move back in
F
Keep your half-ass, "Sorry, how you been?"
C G/B Am7 F
I know why you do it, you just hate losin'
C G/B Am
Here you come again, who could it be?
F C G/B
It's just you, no caller ID
[Outro]
Am F C G/B
It's just you, no caller ID
Am F N.C.
It's just you, no caller ID
How to play "No Caller ID" on guitar
[Capo Placement]
- Place a capo on the 4th fret to match the original song's key.
This will allow you to use open chord shapes effectively.
[Intro & Verse Strumming]
- Use a gentle strumming pattern, primarily focusing on down
strokes for a mellow sound.
- Transition between C, G/B, Am7, and F smoothly to keep the
melodic flow.
[Chorus Dynamics]
- Build intensity slightly in the chorus to reflect the
emotional spike in the lyrics.
- Pay special attention to the transitions between chords,
maintaining the rhythm and emotional tone.
[Guitar Solo]
- The solo follows the same chord progression as the verses.
Keep the strumming light and let the melody shine through.
[Bridge Emphasis]
- The bridge features more emotional lyrics. Strum softly to
give space to the vocal melody and lyrics.
- Emphasize the lyrics with slight pauses or softer strums on
the F chord, highlighting the reflective mood.
[Outro Technique]
- Return to the softer dynamics of the intro for a cohesive
feel. End on a quiet note to mirror the song's closing
sentiment.
Common mistakes:
- Overstrumming in emotional sections. Keep it controlled to
let the lyrics stand out.
- Forgetting the capo changes the chord positions. Always
remember to adjust for the capo.
Song Facts and Artist Bio:
"No Caller ID" by Megan Moroney explores themes of recurring
emotional entanglement and the struggle to move past a
persistent ex. The song uses the metaphor of late-night calls
to depict unresolved feelings and the desire for closure.
Megan Moroney, a noted figure in contemporary country music,
brings personal stories to life with her distinct vocal style
and introspective songwriting. Her work often delves into
complex emotional landscapes, making her music deeply relatable
to those experiencing similar life challenges.