[Intro]
G F Am G
[Verse 1]
G F
Made some breakfast, made some love
Am
This is what dreams are made of
G
On a cloudy Monday morning
F
Summer's gone and you're still here
Am
For both of us, it's been a year
G
A tidal wave without a warning
[Chorus]
Dm F G
Please don't make me regret
Dm F G
Openin' up that part of myself
Dm F G
That I've been scared to give again
Bb F C
Be good to me and I'll be good to you
Bb Dm C N.C.
But please don't be too good to be true
[Verse 2]
G F
In my mind, we're in New York
Am
You had never been before
G
But, baby, now it's our town
F
I'll admit that I'm in deep
Am
That I don't know how еlse to be
G
And I don't wanna slow down
[Chorus]
Dm F G
Please don't make me regret
Dm F G
Openin' up that part of myself
Dm F G
That I've been scared to give again
Bb F C
Be good to me and I'll be good to you
Bb Dm C Bb F C
But please don't be too good to be true
[Bridge]
Bb Dm C
Oh, mm
Bb F C Bb Dm G
Ooh, mm
[Outro]
G F
Made some breakfast, made some love
Am
If this is what dreams are made of
G
Please don't wake me
"To Good To Be True" by Kacey Musgraves gently weaves through
the themes of hope, vulnerability, and the bittersweetness of a love
that seems almost too perfect. The chord progression and musical
arrangement complement the narrative, providing a backdrop that's
both uplifting and introspective. Here's how to play the song, focusing
on the chords and their contribution to the song's emotional landscape.
Intro
The song sets a hopeful tone with a sequence of G, F, Am, and G,
instantly drawing the listener into its dreamy atmosphere.
Intro progression:
G F Am G
Verse 1
The verses tell a story of simple, yet profound moments of love and connection,
underscored by the chord progression of G, F, Am, and G. This progression paints
a picture of contentment mixed with a touch of melancholy, reflecting the song's
narrative of cherishing current moments while fearing they might not last.
Verse 1 example:
"Made some breakfast, made some love, this is what dreams are made of" starts
with G and moves through F and Am, ending on G.
Chorus
The chorus shifts to a more reflective mood with chords Dm, F, and G,
highlighting the song's central plea for authenticity and fear of disillusionment.
The transition to Bb and C then back to Bb, Dm, and ending on C
(with a pause on N.C.) emphasizes the desire for a love that is both
beautiful and real.
Chorus progression:
Dm F G (Please don't make me regret)
Bb F C (Be good to me and I'll be good to you)
Bb Dm C N.C. (But please don't be too good to be true)
Verse 2 and Second Chorus
The second verse continues with the same chord pattern as the first,
maintaining the song's introspective yet hopeful tone. The chorus repeats
the pattern of the first, reinforcing the song's emotional plea.
Bridge and Outro
The bridge, with a sequence of Bb, Dm, C, followed by Bb, F, C, then Bb,
Dm, and G, offers a moment of reflection, a soft interlude that deepens
the song's narrative of yearning and cautious optimism.
The outro revisits the song's opening sentiment, closing with the G, F, Am,
and G progression, leaving the listener with a sense of unresolved hope and longing.
Playing Tips
- The emotional depth of the song is captured not just through the chords but
through how they're played. Strive for a delicate balance between hopefulness
and vulnerability in your strumming and transitions.
- Pay attention to the dynamics, especially in the chorus and bridge, to convey
the song's shifts from introspection to heartfelt plea.
- The pauses (N.C.) in the chorus are essential for emphasizing the song's
emotional peaks. Let these moments breathe to enhance the narrative impact.