Divine To Be chords
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[Intro]
A7 D
[Verse 1]
D G
Between Gruhn's and Bailey's there used to be a man
D A7
Hailed from Pennsylvania played the mandolin
D G
For 16 years Mike crooned his tears and taught me how to stand
D A7 D
For the cause of living art that made the Opry grand
[Verse 2]
D G
Once there was a hobo played the silverware
D A7
On the spot at Third and Broad tattooed everywhere
D G
Kids would beg their parents for nickels they could spare
D A7 D
Abby took the last train out with flowers in her hair
[Chorus]
G D
Now I see it's divine to be let down
A7 D
It's past my time I'll never wear the crown
G D
Deep inside I was sure I heard the sound
A7 D
And I still cry each time I go downtown
[Fiddle & Dobro Solos]
G D A7 D
G D A7 D
[Verse 3]
D G
Cowboy was my father at least he claimed to be
D A7
He drink some wine and cut in line and danced in front of me
D G
Life got hard and he caught a charge no poor man could beat
D A7 D G
Thank the Lord the streets are safe for yanks to drink and scream
[Verse 4]
D G
At age 13 I learned from these I spoke of in this song
D A7
On lower Broad in Nashville I watched it all go wrong
D G
It's been said that the music's dead I'd just say it's gone
D A7 D
Gone to hell and gone to jail and gone back to the farm
[Chorus]
G D
Now I see it's divine to be let down
A7 D
It's past my time I'll never wear the crown
G D
Deep inside I was sure I heard the sound
A7 D
And I still cry each time I go downtown
A7 D G D
And I still cry each time I go downtown
How to play "Divine To Be" by Lost Dog Street Band on guitar
Playing Style: The song features a blend of folk and Americana, emphasizing
storytelling through its lyrics. Use a mix of strumming and picking to
highlight the narrative.
[Intro]
Chords: A7, D
- Start with A7, moving into D. This simple progression sets a reflective
mood right from the beginning.
[Verse 1 & 2]
Chords: D, G, D, A7
- Strum gently, allowing each chord to support the storytelling. The shift
from D to G adds a narrative depth, while A7 offers a melodic lift.
- Pay attention to the lyrics, using slight dynamic changes to emphasize key
phrases.
[Chorus]
Chords: G, D, A7, D
- Increase the intensity slightly to mark the chorus's emotional weight.
- The progression creates a sense of longing and reflection, which is central
to the song's theme.
[Fiddle & Dobro Solos]
Chords: G, D, A7, D (Repeat)
- Although originally for Fiddle and Dobro, you can imitate these solos on
guitar. Maintain the established chord pattern, focusing on rhythmic
strumming to back up the solo melodies.
[Verse 3 & 4]
Follow the same chord pattern as the earlier verses:
- Continue to support the narrative with your playing style, ensuring that the
guitar complements the vocal line without overpowering it.
[Final Chorus]
Repeat the chorus chords with added resolve:
- For the final repetition, perhaps bring down the dynamics to close on a more
introspective note.
General Tips:
- Tuning: Standard tuning works best for this song.
- Ensure smooth transitions between chords, particularly between G and A7,
which can be pivotal in maintaining the song's flow.
- Consider using a capo if singing along to better match vocal ranges.
Common Mistakes:
- Overplaying in a song that requires subtlety can distract from the lyrical
content. Keep it simple and let the story shine through.
- Not paying enough attention to the emotional pull of the choruses. This is
where you can slightly push the dynamics to enhance the song's impact.
Lyrics Meaning:
"Divine To Be" reminisces about Nashville's musical past, reflecting on
personal stories and the cultural shifts that have transformed the city.
The song is a lament for the loss of authenticity and the bittersweet nature
of change in the music scene.