Slippin Away chords
Swap ↔ or rotate ↻ the device
Chris Hillman Slippin' Away written by Chris Hillman
Chris Hillman vocals Guitar (Acoustic), Bass, Guitar, Mandolin,
Guitar
Al Perkins Pedal Steel Guitar
Paul Harris Keyboards
Herb Pedersen Vocals
Jim Fielder Bass
Steve Cropper Guitar, Guitar (Electric), Guitar (Rhythm)
Timothy B. Schmit backround Vocals
Flo & Eddie Vocals (bckgr)
E
People are talking about us
What did we do that's wrong, so wrong
A B E D A
Now we've got a reputation about a mile long
E
When we find ourselves on that one way street
We're both headed for trouble, you see
A
And it's so easy to find
B E D A
You walking so close to the line
C#m G#m D A
And it's too late now what can you say
C#m G#m D A
I can feel our love slippin' away
C#m G#m D A
And something inside say's I'm a fool to stay
E D A E D A E
The one that you love is slippin' away
E
Last summer when we stayed out all night
Telling our stories until daylight
A
And you told me you loved me
B E D A
Everything would be all right
E
You know that sneaking away to have a good time
E
Sometimes you know we just got to unwind
A
And it's just not so easy
B E
You walkin' so close to the line
C#m G#m D A
And it's too late now what can you say
C#m G#m D A
I can feel our love slippin' away
C#m G#m D A
Something inside say's I'm a fool to stay
E D A E
The one that you love is slippin' away
Slippin' away
SOLO
C#m G#m D A
And it's too late now what can you say
C#m G#m D A
I can feel our love slippin' away
C#m G#m D A
Something inside say's I'm a fool to stay
E D A E
The one that you love is slippin' away
E D A E
The one that you love is slippin' away
E D A E
The one that you love is slippin' away
E D A E
The one that you love is slippin' away
From Chris Hillman "Slippin' Away"
Asylum Records 1976
Slippin' AwayArtist Chris Hillman*lbum Title Slippin' AwayDate of
Release 1976 (release) inprintAMG Rating (Good)Genre Rock,
CountryStyles
Progressive Bluegrass, Progressive Country, Country-Rock
AMG REVIEW: Having recently departed Souther, Hillman, & Furay, this
album more heavily reflects his association with Manassa than anything
he did with SH&F. A nice batch of songs overall but the high point for
me is the killer version of the bluegrass standard "Take Me in Your
Lifeboat" that closes the album. -- Jim Worbois, All-Music Guide