[Intro]
D D G D
[Verse]
D A
When you're out downtown on a Friday night
Bm7
And your girls go home, but you ain't tired
G
And you've got a little buzz, and I cross your mind
And you find my number
D A
Girl, before you get headed down that road
Bm7
You're gonna need a new last call place to go
G
Used to be that guy every time, I know
But now you need another
[Chorus]
D A
When you're sitting at a bar at 2 A.M.
Bm7
If you're lonely and you think you want a friend
G
A little drunk dial, crash my par-ty
D
No, baby, don't call me
D A
If you're off then you're right back on again
F#7
Gotta get over you, I can't take it
Bm7 G
Do me a favor when you need somebo-dy
Hey baby, don't call me
D
(Don't call me, don't call me, don't call me, don't call me)
[Verse]
D A
If I see your name, then I pick up
Bm7
And if I pick up, then you show up
G
And if you show up, then you stay all night
D
Then you say goodbye, it just ain't right
[Chorus]
D A
When you're sitting at a bar at 2 A.M.
Bm7
If you're lonely and you think you want a friend
G
A little drunk dial, crash my par-ty
D
No, baby, don't call me
D A
If you're off then you're right back on again
F#7
Gotta get over you, I can't take it
Bm7 G
Do me a favor when you need somebo-dy
Hey baby, don't call me
[Instrumental/Solo]
D A Bm7 G
(Don't call me)
[Break]
D
Baby, if you care about me
A F#7
Maybe you could do without me
Bm
This is driving me crazy
G
You gotta let me go, so
[Chorus]
D A
When you're sitting at a bar at 2 A.M.
Bm
If you're lonely and you think you want a friend
G
A little drunk dial, crash my par-ty
D
No, baby, don't call me
D A
If you're off then you're right back on again
F#
Gotta get over you, I can't take it
Bm G
Do me a favor when you need somebo-dy
Hey baby, don't call me
D
(Don't call me, don't call me, don't call me, don't call me)
G
(Don't call me, don't call me, don't call me)
D
(Don't call me)
How to play "Don't Call Me" by Chris Young on guitar combines the evocative storytelling
of country music with a memorable melody, making it a compelling piece for guitarists.
This Tutorial focuses on the chord progressions and strumming patterns that capture the
song's essence of moving on from a past relationship.
Intro and Verse Progressions:
The song begins with a simple yet effective intro of D to G, setting the emotional
tone. This progression is straightforward, providing a solid foundation for the
narrative to unfold. The verses follow a D, A, Bm7, and G chord progression, painting
a vivid picture of the scenarios leading to the refrain of "don't call me."
When playing these parts, aim for a strumming pattern that matches the song's
reflective mood. A mix of down and up strums at a moderate pace can convey the
lyrical themes of recollection and resolve. The transition from D to A adds a sense
of momentum, leading into the more reflective Bm7 and resolving on G, mirroring the
emotional shifts in the narrative.
Chorus Dynamics:
The chorus amplifies the song's core message with the same chord progression of D,
A, Bm7, and G. The inclusion of F#7 adds a twist, emphasizing the resolve to not fall
back into old patterns. The chorus is where the emotional intensity peaks, so your
strumming can be more forceful here, driving home the song's plea.
Focus on conveying the mix of emotions - the longing, the nostalgia, and the firm
decision to move forward. The dynamics between the chords allow for a build-up of
intensity, culminating in the poignant plea expressed in the lyrics.
Instrumental/Solo and Break:
The instrumental/solo section follows the established chord progression, offering a
moment for musical reflection that mirrors the song's narrative. This section can be
played with a bit more freedom, allowing the guitar to sing the unspoken words between
the lines.
The break introduces a slight variation with the chords D, A, F#7, and Bm, before
leading back into the chorus. This part serves as a bridge between the song's themes,
reiterating the emotional depth and the necessity of letting go for both parties' sake.
Song Conclusion:
The song wraps up with a final chorus and an outro that reiterates the "don't call
me" plea, slowly winding down to a D chord. This ending symbolizes the closure of the
narrative, bringing the emotional journey to a peaceful close.
Guitar Lesson Summary:
In "Don't Call Me," the guitar accompaniment plays a crucial role in weaving the
emotional tapestry of the song. The chord progressions and strumming patterns are
designed to complement the narrative, allowing the guitarist to express the nuances
of moving on from past love. Through practice, focus on the emotional conveyance of
each chord and lyric, making the song not just a performance but a heartfelt story
told through music.
|
