Half Grown chords - Bryan Zach Chords

Bryan Zach LYRICS

Half Grown chords

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[Intro]
Fmaj7  Am  G/B  C
Fmaj7  Am  G/B  C
 
 
[Verse 1]
       Fmaj7           Am         G/B     C
When I grab you by the hand you hesitate
       Fmaj7         Am      G/B          C
With a subtle inclination to tell a man straight
   Fmaj7        Am               G/B      C
Sister was a saviour and your mother is a saint
              Fmaj7       Am              G/B             C
Sometimes a woman is the sum of all the things her father aint
 
 
[Verse 2]
Fmaj7            Am               G/B                  C
Men are just the sum of all the things their mothers did
      Fmaj7              Am             G/B               C
They spend their lives searching for the love they had as kids
   Fmaj7          Am       G/B            C
My vices ain't a place to replace a loving home
    Fmaj7            Am              G/B          C
You can't expect a harvest when the field's half grown
[Chorus] Am G C You can't choose your blood C You can choose to change the chains that chain you down G Am When you was just a child Am G And Forgiveness ain't an easy road to go G C But I know that it's a road worth heading down [Instrumental] Fmaj7 Am G/B C Fmaj7 Am G/B C [Verse 3] Fmaj7 Am G/B C When I see myself, I see your eyes Fmaj7 Am G/B C Reflections nowadays are a calm surprise Fmaj7 Am G/B C The older I get, the more I become Fmaj7 Am G/B C All the things I swore I’d always run from Fmaj7 Am G/B C But I’ll raise myself a family and right the wrongs Fmaj7 Am G/B C Of an imperfect people who were only half grown [Chorus] Am G C You can't choose your blood C You can choose to change the chains that chain you down G Am When you was just a child Am G Forgiveness ain't an easy road to go G C But I know that it's a road worth going down [Instrumental] Fmaj7 Am G/B C Fmaj7 Am G/B C [Outro] Fmaj7 Am G/B C When I grab you by the hand you hesitate Fmaj7 Am G/B C A subtle inclination to tell a man straight Fmaj7 Am G/B C Sister was a savior and your mother is a saint Fmaj7 Am G/B C Sometimes a woman is the sum of all the things a father aint Intro and Verse Chord Progression: The song starts and continues through the verses with a progression of Fmaj7, Am, G/B, C. This progression sets a contemplative mood, perfectly matching the introspective nature of the lyrics. Fmaj7: Position your index finger on the 1st fret of the B string, your middle finger on the 2nd fret of the G string, and your ring finger on the 3rd fret of the D string. The high E string is left open for a richer sound. Am (A Minor): Index finger on the 1st fret of the B string, middle finger on the 2nd fret of the D string, and ring finger on the 2nd fret of the G string. G/B: This is a G chord with a B bass note. Position your index finger on the 2nd fret of the A string, your middle finger on the 3rd fret of the low E string (muted or skipped), and your ring finger on the 3rd fret of the B string. C Major: Index finger on the 1st fret of the B string, middle finger on the 2nd fret of the D string, and ring finger on the 3rd fret of the A string. Chorus Chord Progression: The chorus introduces a slight shift in dynamics while maintaining the song's emotional depth, cycling through Am, G, and C, emphasizing the song’s core messages of choice, forgiveness, and the difficult roads worth traveling. Guitar Lesson Summary: Begin by getting comfortable with the chord shapes, especially the Fmaj7 and G/B, which might be less familiar to some players. These chords add a nuanced color to the song's harmonic landscape. Practice transitioning smoothly between chords, maintaining a steady rhythm that matches the song's reflective pace. The transitions between these specific chords will create the emotional underpinning of the song. Pay attention to the dynamics of your playing, particularly during the chorus where the song's emotional narrative peaks. Here, you can play a bit louder or with more emphasis to convey the song's message powerfully. Use the instrumental sections to provide a musical breathing space, allowing the listener (and player) to reflect on the song's themes. These sections can be played with a lighter touch to differentiate them from the verses and chorus. The outro, mirroring the intro, offers a reflective bookend to the song’s narrative. Let the final chords ring out, providing closure to the journey the song takes you on.


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