[Intro]
E
A E
C#m B A E
[Verse 1]
E
Well I ain’t never been a holy roller but I found god in your eyes
A E
Greens and brown remind of a mountain side
C#m B A E
All the days that are to come and all the bad things that I’ve done
E B E
I aint never been a holy roller but I found god in your eyes
[Verse 2]
E
We can stop for gas on our last trip out of town
A E
All these songs about nothing and straight face bluffing’s got me down
C#m B A E
Cuz old dogs bark way too loud and talk shit on the weekend crowd
E B E
I aint never been a holy roller but I found god in your eyes
[Chorus]
A E
Coming down and coming up
B C#m B
There's a place for good love on the river’s edge darling
A E B
I know home’s not far from here
A E
From sun down to sun up
B C#m B
There's a place for good rest in the warm months honey
A E B E
I found god in your eyes dear
[Verse 3]
E
You’re grinning like a vandal after swigging on a handle of Titos
A E
Lord I didn’t plan this I’m just going as far as the wind blows
C#m B A E
Coastlines to the flat lands, get your rich hands out of our plans
E B E
I aint never been a holy roller but I found god in your eyes
[Chorus]
A E
Coming down and coming up
B C#m B
There's a place for good love on the river’s edge darling
A E B
I know home’s not far from here
A E
From sun down to sun up
B C#m B
There's a place for good rest in the warm months honey
A E B
I found god in your eyes dear
[Interlude]
E
A E
C#m B A E
E
[Verse 1]
E
Well I ain’t never been a holy roller but I found god in your eyes
A E
Greens and brown remind of a mountain side
C#m B A E
All the days that are to come and all the bad things that I’ve done
E B E
I aint never been a holy roller but I found god in your eyes
Introduction to Chord Progression:
The intro starts with an E chord, followed by a progression of
A, E, C#m, B, A, and back to E. This sequence sets a reflective tone
for the song, invoking a sense of anticipation and depth. The E chord
serves as a home base, with the movement to A and back creating
a conversational dynamic. The progression to C#m and B introduces
a slightly more introspective mood before returning to A and E,
completing the cycle with a feeling of resolution.
Verse Chord Dynamics:
The verses maintain the foundational E chord, creating a narrative anchor.
The transition to A and back to E enhances the storytelling, with the C#m
and B adding layers of emotional texture. The lyrics "I ain’t never been a holy
roller but I found god in your eyes" are supported by this chord progression,
highlighting the song's thematic exploration of finding profound
experiences in unexpected places.
Chorus Harmonies:
The chorus introduces a shift with A, E, B, and C#m chords, broadening
the song's harmonic landscape. This section elevates the narrative,
emphasizing the theme of discovery and connection. The progression
supports the lyrics about finding love and solace in nature and relationships,
resonating with the listener's longing for belonging and understanding.
Playing Technique Tips:
- Focus on the dynamic range when transitioning between chords,
especially from E to A and C#m to B. These transitions should be smooth,
allowing the lyrical content to shine.
- Experiment with strumming patterns that complement the song's narrative
flow. A mix of downstrokes for the verses and a more varied strumming
pattern for the chorus can mirror the emotional shifts in the lyrics.
- Pay attention to the song's emotional highs and lows, adjusting your playing
intensity to match. The chorus, with its thematic and harmonic richness,
can be played with more vigor.
Emotional Expression Through Guitar Playing:
Playing "Holy Roller" is not just about the technical execution of chords
but also about conveying the song's emotional depth. Let the guitar become
an extension of the song's narrative, expressing the introspective and
transformative journey described in the lyrics. Your playing should invite
listeners into a shared experience of discovery and reflection.
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