Life Aint Fair And The World Is Mean - Sturgill Simpson

Sturgill Simpson Chords Sturgill Simpson Lyrics

Life Aint Fair And The World Is Mean tabs

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[Intro]
e|-----------------------|
B|-----------------------|
G|-----------------------|
D|-----------------------|
A|-----------------------|
E|--0--0--0--3--3--4--4--|
e|-------------------------------------------------------------|
B|-------------------------------------------------------------|
e|--------------------------2----------------------------------|
D|-------------2h4--2------------2--2h4--2---------------------|
A|--0--3h4--0----------3h4------------------3h4--0-------------|
E|--------------------------------------------------3b4--0-----|
e|------------------------------------------------------------|
B|------------------------------------------------------------|
G|------------------------------------------------------------|
D|--------------------------2---------------------------------|
A|-------------2h4--2------------2--4--2--5--2--4--2----------|
E|--0--3h4--0----------3h4----------------------------3b4--0--|
e|-----------------------------------------------------------|
B|-----------------------------------------------------------|
G|---------------------------2-------------------------------|
D|------------------------1----------------------------------|
A|-------------0--1--2----------0h2--0-----------------------|
E|--0--3h4--0---------------------------3b4--0---------------|
e|--------------------------|-------------------------| B|--------------------------|-------------------------| G|--0b2---------------------|--0b2--------------------| D|-------2~--0h2p0------2~--|-------2~--0h2p0---------| A|--------------------------|-------------------------| E|-----------------3b4------|-----------------3b4--0--| PM-----| PM-----| PM-----| PM-------| e|-------0----------0----------0----------------| B|----0--0-------0--0-------0--0----------------| G|----1--1-------1--1-------1--1-------1--------| D|----------------------------------------------| A|------------2---------------------0-----2p0---| x2 E|--0--------------------0----------------------| [Verse 1] PM------| PM-----| PM-----| PM-----| PM-----| PM-----| PM-----| PM-------| e|--------0----------0---|--------0----------0---|--------0----------0---|--------0----------------| B|-----0--0-------0--0---|-----0--0-------0--0---|-----0--0-------0--0---|-----0--0----------------| 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A|--------0h2------------0h2--0--2--1p0------|-----------0h2---------------------------------| E|--0---------------0-------------------3b4--|--0--------------------------------------------| [Verse 2] PM-----| PM-----| PM-----| PM-----| PM-----| PM-----| PM-----| PM--| e|--------0----------0---|--------0----------0---|--------0----------0---|--------0---------------| B|-----0--0-------0--0---|-----0--0-------0--0---|-----0--0-------0--0---|-----0--0---------0--0--| G|-----1--1-------1--1---|-----1--1-------1--1---|-----1--1-------1--1---|-----1--1---------1--1--| D|-----------------------|-----------------------|-----------------------|------------------------| A|-------------2---------|-------------2---------|-------------2---------|-------------0h2--------| x2 E|--0--------------------|--0--------------------|--0--------------------|--0---------------------| PM-----| PM-----| PM-----| PM--| PM-----| PM--| PM-----| PM-----| e|--------0----------0---|--------------------------|--------------------------|--------0----------0---| B|-----0--0-------0--0---|-----0--0-----------------|-----2--2-----------------|-----0--0-------0--0---| G|-----1--1-------1--1---|-----1--1-------1---------|-----2--2-------2---------|-----1--1-------1--1---| D|-----------------------|--------------------------|-----2--2-----------------|-----------------------| A|-------------2---------|-------------2------------|--0----------0------------|-------------2---------| E|--0--------------------|--0----------------3b4r0--|-------------------3b4r0--|--0--------------------| PM-----| PM-----| PM-----| PM-------| PM-----| e|--------0----------0---|--------0---------------|------------------------------| B|-----0--0-------0--0---|-----0--0---------------|-----4--4---------------------| G|-----1--1-------1--1---|-----1--1-------1-------|-----4--4---------------------| D|-----------------------|------------------------|------------------------------| A|-------------2---------|-------------2-----2p0--|--2--------2--0---------------| E|--0--------------------|--0---------------------|-----------------3b4r0--------| PM-----| PM-----| PM-----| PM--| e|--------0----------0---|--------------------------| B|-----0--0-------0--0---|-----0--0-----------------| G|-----1--1-------1--1---|-----1--1-------1---------| D|-----------------------|--------------------------| A|-------------2---------|-------------2------------| E|--0--------------------|--0----------------3b4r0--| [Chorus] PM-----| PM-----| PM-----| PM--| PM----| PM--| PM----| PM-----| e|-----------------------|--------------------------|-----------------------|----------------------| B|-----2--2-------2--2---|-----2--2-----------------|----0--0---------0--0--|----0--0-------0--0---| G|-----2--2-------2--2---|-----2--2-------2---------|----1--1---------1--1--|----1--1-------1--1---| 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A|-------------2---------|-------------2---------|-------------2-----2p0--|--2----------------------| E|--0--------------------|--0--------------------|--0---------------------|-------------2----3b4r0--| [Solo] e|-----------3--0----------------------------------| B|--------------------3--0-------------------------| G|--------------------------1----------------------| D|--------2----------------------------------------| A|-----2-------------------------------------------| E|--0---------------------------0--0--3--0--4--0---| e|---------------------------5---------------------| B|------------------------------5--5---------------| G|----------------------4b6--------6r4--2----------| D|--2----------2h4--2------------------------------| A|--0--3h4--0--------------------------------------| E|-------------------------------------------------| e|-------------------------------------------------| B|-------------------------------------------------| 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e|----------------------|--------------------------|------------------------|-----------------------| B|-----0--0-------0--0--|--------------------------|-----0--0---------------|-----------------------| G|-----1--1-------1--1--|----1---------------------|-----1--1-------1-------|-----4--4------4-------| D|----------------------|--------------------------|------------------------|-----4--4------4-------| A|-------------2--------|-------------2--0---------|-------------2-----2p0--|--2--------------------| E|--0-------------------|--0---3b4r0--------3b4r0--|--0---------------------|-------------2----3b4--| [Outro] e|--------------------------------------| B|--------------------------------------| G|--0-----------------------------------| D|-----4--2----0------------------------| A|----------------4--2----2--0----------| E|------------------------------3b4--0--| ************************************ | x Dead note | h Hammer-on | p Pull-off | r Release | b Bend | br Bend release | ~ Vibrato | PM Palm mute ************************************

How to play "Life Ain’t Fair and the World Is Mean" Chords
on acoustic guitar

This Tutorial walks you through the unmistakable live take debuted at the
Americana Music Festival—Tele-twang, palm-mute pulse, and a mischievous grin.
Take it slow, taste every hammer-on.


==================================
Song Overview

  • Key: E major (no capo).
  • Tempo: 104 BPM, quarter-note train-beat feel. -->
  • Difficulty: Intermediate—steady right-hand muting and fast hammer-ons.
  • Live tuning: Standard (E A D G B E), nothing fancy.

Chords Used


E     0 2 2 1 0 0
A     X 0 2 2 2 0
B7    X 2 1 2 0 2
G     3 2 0 0 0 3  (for the cheeky 3 → 4 slide on the low E)

Easier swap-out → use B power-chord (X 2 4 4 X X) instead of full B7 if the
pinky stretch hurts.

Strumming Pattern

Verses ride a muted boom-chuck:
D d D U d U (cap = heavy bass, lower-case = light brush). Count “1 & 2 & 3 & 4 &”.
Keep your palm just behind the saddle to get that dry thump.

Sections Breakdown

  1. Intro Riff
    
    E|--0--0--0--3--3--4--4--|
    A|--0--3h4--0------------|  ← repeat twice
    
    Use ring finger for the 3 → 4 slide; let it pop like a snare.
  2. Verses (E groove)
    Palm-mute the open E while fretting 2 on the A-string. Touch the D-string
    lightly with your middle finger to silence it—Simpson does.
  3. Turn-arounds
    Open A chord for two beats, walk bass 0–2 on A-string, then B7 stab
    before dropping back to home E.
  4. Chorus
    A E A E B7 A slide G → E.
    Snap the B7 on beat 2; it underscores the lyric punch line.
  5. Solo
    Same fretboard real-estate as intro, but add quick 2h4 on D-string
    and a saucy 4b6 release on G-string. Push bends sharp—Laur Joamets-style.
  6. Outro Lick
    
    E|------------------------------0--|
    B|------------------------------0--|
    G|--0----0b2r0---------0--------1--|
    D|------2~----2p0----2---2~----2--|
    A|----------------4--2----------2--|
    E|--------------------------3b4-0--|
    

Tips for Smooth Playing

  • Clamp your wrist low; the constant palm-mute demands stability.
  • Micro-shift thumb behind second fret during hammer-on runs to reduce stretch.
  • A dash of slap-back delay (≈120 ms) nails the club-PA ambience.
  • Practice the intro at 60 BPM, then bump in 10-BPM bites till it smiles.

Common Mistakes

  • Over-ringing open strings. Keep the fretting-hand heel handy to choke
    unwanted sustain.
  • Weak bends. Pull the string toward ceiling, not parallel; you need a
    half-step grunt.
  • Rushing the walk. Feel the lyric swagger; if it sounds hurried, drop
    your metronome five clicks.

Song Facts

Released June 11 2013 as track #1 on the self-funded debut “High Top Mountain,”
the tune introduced Simpson’s neo-outlaw stance before anyone coined the tag. -->
He jokes that the “most outlaw thing” he ever did was marry, mocking Nashville’s
gun-slinging myth. Critics later framed the line as a manifesto against Music Row
conformity. -->
Dave Cobb’s raw production left every pick scrape intact; that honesty helped the
song become a fan-shouted request at shows, leading to the fiery Americana Fest
version tabbed above. The studio cut clocks 2 min 06, 4/4, 104 BPM, key E, but
live renditions jump closer to 118 BPM when Simpson’s grin widens.

Song Meaning (part by part)

Verse 1 sketches a broke troubadour reading industry rejection letters;
the steady E riff mirrors relentless miles.
Verse 2 pulls family into frame—coal-dust heritage and Paw-paw’s ethics
(he’ll resurface in later songs). -->
Chorus flips cynicism into empowerment: yes, the world’s mean, but your
response writes the next bar.
Solo isn’t lyrical filler—it’s a yodel of defiance, bent strings arguing
with fate.
Final Verse name-checks radio gatekeepers, ending on that shrugging E ring-out:
he’ll play anyway.

Comparisons to Previous Works

Where later records (“Metamodern Sounds”) drift cosmic, this cut stays
bar-room earthly—no phasers, just pick-dust. Yet the anti-establishment DNA
threads into “Call to Arms,” proving the first line of his career still colors
album #5.

Questions and Answers

Do I really need B7?
No—grab a power-chord if B7’s stretch stalls the groove.
How do I stop pick noise during palm-mutes?
Angle the pick 45° and use heavier 1.0 mm celluloid; it glides.
Can this riff fit electric bass?
Yes; mirror the E-string ideas an octave lower, sliding 3 → 4 on A-string.
Why does Simpson mute the D-string?
It cleans the E-chord, letting the walking line shine without mud.
Next song to practice?
“Long White Line”—same key, faster shuffle, builds right-hand stamina.

That’s the whole Guitar Lesson. Fire up the metronome, swing that Tele, and
remember: life ain’t fair—but a tight intro riff will always feel mighty mean.